.22 Caliber Mouth Review by Women Around Town
Stephanie Amy Collazo wrote a wonderful article about .22 Caliber Mouth on the the fantastic website – Woman Around Town.
.22 Caliber Mouth Concert Reviewed by Stage and Cinema’s Cindy Pierre
Cindy Pierre wrote a wonderful review in Stage and Cinema of Lauren Robert’s .22 Caliber Mouth following a special industry concert performance held June 29th and 30th in New York City.
You may read the .22 Caliber Mouth review: A Musical To Watch Out For on Stage and Cinema.
Posted 1 year, 7 months ago at 9:27 pm. Add a comment
.22 Caliber Mouth in Concert
A special industry invitation…
Posted 1 year, 7 months ago at 8:49 pm. Add a comment
Broadway World Announces .22 Caliber Mouth Concert
Broadway World wrote a great piece about .22 Caliber Mouth on Friday May 28th. Thank you to everybody for your wonderful comments, support and encouragement.
Check out the article “.22 Caliber Mouth Invitation-Only Concert“
Posted 1 year, 8 months ago at 9:47 pm. Add a comment
Steven Petrillo to Direct .22 Caliber Mouth
Recently the director of The Fountain of Youth, Laughter on the 23rd Floor and the Off-Broadway premier of Sessions at Playwrights Horizons, Steven Petrillo has chosen to develop Lauren Robert’s .22 Caliber Mouth for a high profile New York Production.
Please see more about Steven at his site: StevenPetrillo.com.
We look forward to bringing you more information soon.
Posted 2 years, 6 months ago at 5:50 pm. Add a comment
The Music
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Shipwrecks
Music and Lyrics: Lauren Robert and Slats Klug
As Performed by: Lauren Robert and Tim Warmen
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Now You’ve Done It
Music and Lyrics: Lauren Robert and Timothy Warmen
As Performed by: Lauren Robert and Timothy Warmen
Opening ensemble: Opening the Pandora’s Box of life
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Waiting For The Click
Music and Lyrics: Lauren Robert
As Performed by: Paul Oakley Stovall
In the face of a brutal beating hope springs eternal.
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Anywhere Can Be Home
Music and Lyrics: Lauren Robert
As Performed by: Aaron Berk
Living on the street, Frankie tries to make the best of it.
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All I Can Do
Music and Lyrics: Lauren Robert and Timothy Warmen
As Performed by: Lauren Robert and Timothy Warmen
Deanne and Colin struggle to come to terms with their feelings for each other and their haunted pasts.
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Bein’ Somebody
Music and Lyrics: Lauren Robert
As Performed by: Paul Oakley Stovall
Carmel lectures Frankie about survival in this crazy world.
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Don’t Kiss Me
Music and Lyrics: Lauren Robert
As Performed by: Lauren Robert
Deanne struggles with Colin’s advances of ‘true’ intimacy.
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Risky Business
Music and Lyrics: Lauren Robert
As Performed by: Lauren Robert, Paul Oakley Stovall, Danny Dolan
Deanne, Carmel and Frankie look at the risky business of love.
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I Need To Rest
Music and Lyrics: Lauren Robert
As Performed by: Lauren Robert and Timothy Warmen
Posted 3 years, 2 months ago at 11:55 am. Add a comment
From the Beginning
I don’t believe there is any age limit on searching for or finding answers for a way to make some bearable peace with our stay on this earth.
I am not a cheerful spirit. I am young and old. I am emotionally hobbled and I am far far wiser than my years. As are the five flailing characters of my play. Yes, though people experience me as fun, funny and loving (at times) my view of life is that it can be the cruelest teaching device, beyond brilliant in its hellish challenges. I believe the elusive spirits of fun and love show up whenever the hell they want despite our prompts or beseeching and likewise do the demons.
That is why Tim Warmen’s contributions to this project have been such a blessing to me. He understands everything, but his beliefs are intact.
We met when he was called back to play the role of Colin in the Ohio Theater workshop. His audition was stunning and he had the sensibilities to back it up. His passion for my work translated into brilliant suggestions and advice. His questions brought needed light and depth to many scenes and many songs. “Where is the humor between these two? Where is her tenderness? Isn’t it really family they all yearn for?” Like many collaborators, our fights were renown, but we believe in each other.
As many writers will tell you, this play wrote itself. I was the conduit, yes. I have always been an actor and singer and it is from this perspective that I began to write. .22 Caliber Mouth is my most recent play with music and the one that cut closest to the bone.
The lead character, Deanne chose an innocuous day, without any dramatic explosions (for a change) as the right time to begin to express her difficult story to me. Though we have certain similarities, this play is not about me. It did not happen to me quite this way. I believe that most cogent, intelligent self-examining females will understand certain aspects of Deanne and her sister Ronnie. Though they are quite different, each shares traits that resonate in all of us who have hungered for love.
In my life, like so many, I have gone to the greatest self–sacrificing lengths to avoid the existential, to outrun the dark menace of loneliness that loiters just outside the apartment door after “he” leaves. God Bless those who have embraced solitude with poise and brave pursuit, in silent self-commune, in a ballet of thought, deed and grace, of life with vitality undeterred by broken heart.
I, on the other hand, battered by betrayal, the sting and stun of a fresh divorce, acute bouts of lovesickness and so many walks on the wild side that I should be dead… well, I’m scarred for life. What scars I didn’t get from this world I inherited through the zeitgeist of both the blood and the word.
So I write from this place, this conundrum. I do have hope and a passionate desire for love and a longing for life to come out right. Perhaps this is why these characters chose me.
I love them.
Because they try so hard.
Lauren